Artistic Background
Growing up in St. Louis, I began drawing after a second grade class assignment awakened my innate artistic capabilities. I have always thought that the ability to draw was a matter of practice, but after seeing seasoned artists struggle with basic drawing, I have come to realize good draftsmanship skills also require specific brain capabilities. While artists are typically thought to be "right brain" oriented (creative side), I believe the ability to interpret three dimensional objects into two dimensional lines and shapes also requires a strong left brain.
My new art interest was soon reinforced with a John Gnay drawing set for Christmas. (John Gnay was one of the first TV artists in the '50s) I have since had many influential experiences, but very little formal training. I primarily have taught myself to draw and paint by observing the world around me, and the work of more accomplished artists. After all drawing and painting is primarily understanding light and form. Of course, as most artists soon realize we have many false perceptions that can block our progress. I do credit several of my high school and college teachers for providing the direction I needed to progress.
I majored in art education at Southeast Missouri State University and graduated with a degree in Art Education. After college, I tried various commercial art jobs that led to several Art Director positions. I also freelanced for advertising agencies, magazines and companies like Hallmark, on the side, for many years.
Ultimately, my career (we have to make a living) evolved into a series of senior management positions in the publishing industry. These endeavors resulted in relocating to Kansas City, Toronto and Chicago. Although, my work career was far afield from the art world, I continued to paint and show my work a art shows and galleries.
In 2005, I decided to take a portrait painting class taught by Richard Halstead, a renowned portrait artist. I thought one class was all I needed to hone my portrait skills, but I ended up attending his classes over the next 3 years. He provided me with many insights that really elevated my skills.
I also became involved in plein air painting with the Chicago Plein Air Painters. In 2009 I took a plein air workshop with Scott Tallman Powers, who is one of the best plein air painters I have seen. I recommend that you take a look at Scott's work: http://scottpowersfineart.com/
In 2010 my wife Beth and I moved from Chicago to New Mexico, where we purchased a small publishing business. This new venture should provide more time to paint and more inspiring surroundings. I have always loved the history, land and people in the area and look forward to continuing my growth as an artist in this new environment.
SUBJECT MATTER & MEDIUMS
Interesting faces and human form have always inspired my work, however in recent years I have also focused more on landscape subjects. Painting on location is energizing and challenging. The results typically are finished in my studio. I have also spent more time with oils recently, but still like to go back to watercolor. Although both require a different approach and skill set I find one helps me with the other.
I still love to paint the human face and form. I am especially drawn to the rugged, lined faces of older men, but also enjoy depicting the beauty and grace of young woman. I try to find subjects that have a lot of character. Someone you would be compelled to observe if they walked by. Perhaps their face tells a story in itself.
I painted fantasy subjects in the 70's & 80's. I still have ideas that could turn into new fantasy works at some point.
-mail mike@meyersart.com.